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A lengthy conversation with Ingmar Bergman (1918-2007), shot on one single day, January 13, 1997. Without mentioning his films, the Swedish director tells details of his profound engagement with the seventh art. He analyzes with a fine sense of irony the role of film festivals, the work of critics and modern filmmakers - so gifted technically but very often oblivious to the matters of the heart in their films. Bergman also lists the films he watches over and over again: "“Andrei Rublev” by Andrei Tarkovsly, “Dark Eyes” by Nikita Mikhalkov, “All the Mornings of the World” by Alain Corneau, and David Lean's "Great Expectations".
C: RALPH EVERS, STEFAN HENCZ | E: ROBERT STENGARD | P: GUNNAR BERGDAHL, BENGT TOLL |
SWEDISH INSTITUTE
S: Script - A: Animation - C: Cinematographer - Ca: Camera - SM: Sound Mixer - S: Sound - E: Editing - M: Music - SE: Sound Editor - P: Producer - EP: Executive Producer - PC: Production Company
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